maximo. the light sculptor. old skool light bulbs and solder, hard-ware shop and electrical cables. this recycling of iconographic inspiration in pursuit of an altar, revisits christian trilogy, the eudipian trio and ecclesiastic claustrophobia. electrical installation, industrial technology, profane ex voto, maxi's work expresses argentina's heavy bogged down situation. the globally embodied argentina, not buenos aires of which baudrillard said:" here you will find the last tango of french thought [irrevocably non-modern?]. moribund at home, under other latitudes, lascivious and wild, it is still dancing its nostalgic tango. everywhere it makes its agony bear fruit through exportation and regenerates itself with fresh and cosmopolitan energies." built on the unstable position of a corrupted country, everyone's creative momentum is put to test. nothing is left of its aristocratic wealth, or so little and so poorly distributed.